Countless other characters pass out and in of this rare charmer without much fanfare, still thanks towards the film’s sly wit and fully lived-in performances they all leave an improbably lasting impression.
Almost thirty years later (with a Broadway adaptation during the works), “DDLJ” remains an indelible minute in Indian cinema. It told a poignant immigrant story with the message that heritage isn't lost even thousands of miles from home, as Raj and Simran honor their families and traditions while pursuing a forbidden love.
Some are inspiring and assumed-provoking, others are romantic, funny and just basic pleasurable. But they all have just one thing in prevalent: You shouldn’t miss them.
Created with an intoxicating candor for sorrow and humor, from The instant it begins to its heart-rending resolution, “All About My Mother” could be the movie that cemented its director as an international power, and it remains one of the most impacting things he’s ever made. —CA
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Out of the gate, “My very own Private Idaho” promises an uncompromising experience, opening with a close-up of River Phoenix getting a blowjob. There’s a subversion here of Phoenix’s up-til-now raffish Hollywood image, and the moment establishes the extent of vulnerability the actors, both playing extremely sensitive male sexual intercourse workers, will put on display.
Within the films of David Fincher, everybody needs a foil. His movies usually boil down into the elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.
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One night, the good Dr. Monthly bill Harford will be the same toothy and confident Tom Cruise who’d become the face of Hollywood itself during the ’90s. The next, he’s fighting back flop sweat as he gets lost in the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers and also the sinister ultra-rich they serve (masters in the universe who’ve fetishized their role within our plutocracy to the point where they can’t even throw a straightforward orgy without turning it into a semi-ridiculous “Sleep No More,” or get themselves off without putting the concern of God into an uninvited xxxxxx xxxxx guest).
A poor, mom sex video overlooked movie obsessive who only feels seen via the neo-realism of his country’s nationwide cinema pretends to become his favorite director, a farce that allows Hossain Sabzian to savor the dignity and importance that Mohsen Makhmalbaf’s films experienced allowed him to taste. When a Tehran journalist uncovers the ruse — the police arresting the harmless impostor while he’s inside the home with the affluent Iranian family where he “wanted to shoot his next film” — Sabzian arouses the interest of the (very) different area auteur who’s fascinated by his story, by its inherently cinematic deception, and with the counter-intuitive possibility that it presents: If Abbas Kiarostami staged a documentary around this person’s fraud, he could proficiently cast Sabzian as the lead character of your movie that Sabzian had always wanted someone to make about his suffering.
Making use of his charming curmudgeon persona in arguably the best performance of his career, Invoice Murray stars because the kind of guy nobody within reason cheering for: good aleck Television set weatherman Phil Connors, who may have never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark things of mouth fucked sub chick what happens to Phil when he alights to Punxsutawney, PA to cover its yearly Groundhog Working day event — to the briefest of refreshers: that he gets caught in a very time loop, seemingly doomed to only ever live this bdsmstreak Peculiar holiday in this uncomfortable town forever — Ramis was intent on tapping into the inherent comedy in imhentai the premise. What a good gamble.
Viewed through a different lens, the movie is also a sex comedy, perceptively dealing with themes of queerness, body dysphoria and the desire to lose oneself from the throes of pleasure. Cameron Diaz, playing Craig’s frizzy veterinarian wife Lotte, has never been better, and Catherine Keener is magnetic since the haughty Maxine, a coworker who Craig covets.
This underground cult classic tells the story of a high school cheerleader who’s sent to conversion therapy camp after her family suspects she’s a lesbian.
As handsome and charming as George Clooney is, it’s hard to assume he would have been the star He's today if Soderbergh hadn’t unlocked the full depth of his persona with this role.